Delight, Dismay and Disbelief: Reactions to the Death of Hitler, 75 Years Ago


It is 75 years since Adolf Hitler committed suicide in his Berlin bunker. His death continues to generate considerable public interest thanks to both continuing forensic discoveries about his biological remains, and the persistence of outlandish tales of his postwar survival. While no serious historian believes in the latter, it is worth considering how confused reporting of Hitler’s fate in spring 1945 created a climate ripe for the flourishing of such legends.

The first formal declaration of Hitler’s death came late on the evening of 1 May 1945 via a radio broadcast by Grand Admiral Karl Dönitz. Sombre music and drum rolls gave way to the momentous announcement: ‘our Führer, Adolf Hitler, has fallen. In the deepest sorrow and respect, the German people bow’. It was, proclaimed Dönitz, a ‘hero’s death’, Hitler falling in battle while fighting valiantly against the ‘Bolshevik storm’.

‘Hitler Dead’ screamed countless international headlines the next day. The bold, dramatic and matter-of-fact statement left little room for ambiguity. Hitler had met his end, National Socialism was vanquished and the Second World War was effectively over. The Daily Herald printed a caricature of a burning Nazi emblem under the slogan ‘WAStika’. The cover of Time magazine simply struck Hitler’s face out with a large red cross.

The media’s response to Hitler’s passing was predominantly one of intense relief. ‘The whole building cheered’, recalled Karl Lehmann, a member of the BBC Monitoring unit. Numerous editorials depicted it as a moment of universal liberation – ‘a terrible scourge and force of evil has been removed’, declared the Lancashire Daily Post.[1] The sense of catharsis continued into the VE Day celebrations a few days later when the burning of Hitler’s effigy typically formed the high point of the UK’s festivities.

In the midst of this jubilation, however, there was widespread uncertainty about the precise cause of death. Dönitz’s talk of Hitler ‘falling’ in battle filled the first wave of international news reports, but many of the accompanying editorials urged caution about accepting this at face value. There was suspicion that either the Nazis were exaggerating the circumstances of his demise to foster a ‘Hitler legend’, or that they were peddling an entirely false narrative to distract from his retreat from the scene. Questioned on the matter during a White House press conference, President Harry S. Truman insisted that he had it ‘on the best authority possible’ that Hitler was, indeed, dead – but conceded there were no details yet as to how he died.

The press were right to question the death-in-battle scenario invented in the Dönitz broadcast. Stationed in Flensburg, over 270 miles away from the death scene, the Admiral was reliant upon information fed to him by colleagues in Führerbunker, namely Propaganda Minister Joseph Goebbels and Head of the Party Chancellery Martin Bormann. The pair had already delayed sending definitive news of Hitler’s passing, prompting Dönitz to misdate the fatal moment to the afternoon of 1 May, rather than the 30 April. They also neglected to supply details of what, exactly, had occurred, leaving Dönitz to fill in the gaps for himself. As it transpired, he was not the only person speculating on Hitler’s fate.

United States made propaganda forgery of Nazi German stamp. Portrait of Hitler made into skull; instead of “German Reich” the stamp reads “Lost Reich”. Produced by Operation Cornflakes, U.S. Office of Strategic Services, circa 1942, [accessed 29 April 2020]

The Western Allies, anxious to puncture martyrdom myths before they could take hold, swiftly countered Dönitz’s heroic imagery by reviving rumours of Hitler’s previously failing health. The Soviets, meanwhile, denounced reports of Hitler’s death as a ‘fascist trick’ to conceal his escape from Berlin. Even when reports of a Hitler suicide emerged from 3 May, debate continued as to whether the Nazi leader had shot himself or taken cyanide – poison being perceived by the Soviets as a particularly cowardly (and thus eminently appropriate) way out for Hitler.

What, though, did the general public make of all this? Within hours of the Dönitz broadcast, the New York Times and the social research organisation Mass Observation were gauging reactions across Manhattan and London respectively. At first, the news appeared anticlimactic; people who had longed for this moment felt disoriented, numb or empty now it was finally upon them. As the implications sunk in, Hitler’s death raised optimism that the war might finally be over, but dashed hopes that the public would see him brought to justice. ‘Too bad he’s dead’, mused one young New Yorker, ‘he should have been tortured’.[2]

The overwhelming reaction to news of Hitler’s demise, though, was one of disbelief. Some sceptics perceived the whole affair as a Nazi ruse, with Hitler just waiting to ‘pop out again when we aren’t looking’. Others foreshadowed modern-day accusations of ‘fake news’, directing their cynicism towards the contradictory explanations printed in the Allied press for Hitler’s demise. Mistrust of Nazi propaganda was also, understandably, common with one Londoner reflecting, ‘I don’t believe he died fighting. They just said that to make it seem more – you know – the way he’d have wanted people to think he died… I think personally he’s been out of the way for a long time now.’[3]

Ultimately, the competing versions of Hitler’s death ensured that the timing and cause of his demise became quite fluid within the public imagination. This, together with initial Soviet refusals to disclose the recovery of an identifiable corpse outside the bunker, created a vacuum in which all manner of rumours could take root. By contrast, the death of Benito Mussolini was commonly regarded with satisfaction because the deliberate display of his body rendered it an indisputable fact. It was only in 2000 that images of Hitler’s jaw (alongside a fragment of skull erroneously attributed to him) were publicly exhibited in Moscow, demonstrating how documenting the truth about his fate has proved a protracted process, and explaining why the Nazi leader has managed to remain so ‘alive’ in public discussion for all these years.

Caroline Sharples is Senior Lecturer in Modern European History at the University of Roehampton.  Her research focuses on memories of National Socialism, representations of the Holocaust and perpetrator commemoration. She is currently writing a cultural history of the death of Adolf Hitler. You can find her on Twitter @carol1ne_louise.

Cover image: Adolf Hitler, prior to 1945.

[1] Lancashire Daily Post, ‘Hitler’s Exit’ (2 May 1945), p.2.

[2] New York Times, ‘City Takes Report of Death in Stride’ (2 May 1945), p.9.

[3] Mass Observation Archive, University of Sussex, Topic Collection 49/1/1: ‘Hitler Indirects’, Hampstead, 2 May 1945.

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Remembering Mi Amigo and the Politics of Commemoration


Students of conflict and commemoration will have found much to reflect on in the story of Tony Foulds, who made commemoration front page news back in February. Tony, who is 82, received a fly past for his work in tending the memorial to the US airmen of Mi Amigo, a B-17 bomber that crashed near Endcliffe Park in Sheffield in 1944. He witnessed the crash when he was eight and has been quietly caring for the memorial to the crew since it was erected in the park in 1969.  A chance encounter with BBC presenter Dan Walker, a Tweet, and Tony was in front of dignitaries, cameras, and a crowd of thousands in Sheffield, witnessing a fly past to mark the 75th anniversary of the crash. What does this story tell us about how practices of commemoration are changing?

Let’s start with a bare fact. Demographically, we are losing our connection to the armies of 1939-45 and the process of remembering the Second World War without its veterans, as Tony’s story suggests, is already underway. The iconography of commemoration in the UK has generally foregrounded combat veterans as the authentic witness of conflict since 1918. This will soon no longer be possible in the case of World War Two. Research funded by the British Legion estimated 4.8 million veterans in the UK in 2005. Over 50% of these were Second World War or National Service veterans, with the former constituting roughly 25% of the total.[i] This study predicted a considerable drop in that population by 2020, but recent figures by the MOD indicates this has largely already happened: they put veteran figures at 2.5 million in 2016, envisaging a fall to 1.6 million by 2028.[ii] This is a significant reduction in the veteran population over 22 years.

It is not surprising, considering the centrality of the Blitz experience to the popular memory of the Second World War, that a new authentic witness (a civilian in wartime) steps into the commemorative spotlight. If Tony’s generation takes this place, however, we need to think more about how militarisation – rather than simply bombardment – has affected them. What struck me most about Tony’s response was his survivor guilt – something we associate more with combat veterans. He attributes the deaths of the crew to his failure to read the pilot’s signals, as the B-17 bomber circled in search of a safe landing site. He has returned to the crash site consistently from the age of 17. He now attends the memorial in the park ‘roughly 260 times a year. It’s now taken over my life, literally’.[iii]  Yet, this was an unavoidable wartime situation in one of Britain’s industrial cities. That an 8-year-old child can then carry this sense of responsibility for 75 years suggests a darker side to the ‘The People’s War’; a message of culpability and complicity in wartime outcomes that was implicit in the ubiquitous pre-war and wartime discourse about civil defence.

Can contemporary commemoration help us untangle those stories? There are millions of experiences of conflict latent in our society, from the Second World War to Syria, via the post-Empire conflicts of the 50s and 60s, Northern Ireland, the Falklands, former Yugoslavia, Iraq, and Afghanistan. Their emotional legacies remain socially active down the generations for longer than you might think, as Jan Assman and historians such as Michael Roper have shown. Whether contemporary commemoration allows society to work through the insidious nature of conflict’s legacy is another question. The mass mobilisation around Tony’s fly past in Sheffield confirmed another trend, seen during the First World War centenary: Commemoration is becoming increasingly spectacular and performative. With 14-18Now, formed to coordinate arts responses to the War’s centenary, new cultural producers of commemoration have linked heritage, arts programming and remembrance through large performative and multimedia moments. Tony’s story demonstrates, too, that the power of more traditional leaders in commemorative practices (the armed forces) remains strong.

Spectacle can have a positive place in cementing social bonds and expressing communal values and identity. It may well provide one of the few contemporary cultural spaces that are truly inter-generational, for instance. And, as 14-18Now has demonstrated, artists can help shift and refocus our tropes of war; in that case, away from the Anglocentric, to a global vision. But countless studies also suggest that commemoration, in the way we perform it, does not cultivate the critical thinking, invite the range of perspectives, and engage the reflective emotional responses, that generate a healthy democratic engagement with issues of war and peace. Commemoration is reductive; each experience of war, Homeric. The HLF’s First World War: Then and Now encouraged academics and communities to work together to give these stories the space they need. Looking ahead, then, policy makers, heritage planners, historians and teachers, need to work even harder to ensure that commemorative practices are not History Lite, but History Plus.

Dr Eleanor O’Keeffe is the Post-Doctoral Research Associate on ‘Lest We Forget’, an AHRC funded project on heritage and commemoration during the First World War Centenary based at Historic Royal Palaces. She has put together a Teacher Fellowship on Conflict, Art and Remembrance in partnership with the Historical Association to support teaching of commemoration in schools.

[i] British Legion, Profile and Needs of the Ex-Service Community 2005-2020: Summary and Conclusions of the Welfare Needs Research Programme (2006), p. 7.

[ii] See MOD Population Projections: UK Armed Forces Veterans residing in Great Britain, 2016-2028. Reference Tables. Table 2. UK Armed Forces veterans residing in Great Britain, by age and gender, total numbers and percentages.


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